In the Presence of the Crow

The Crow who we are raised to see as a symbol of pessimism, becomes suddenly an assumed friend, presented either alone in the space of the painting, or two faces of a crow and a human weaved as one, or standing on girl’s hand but alienated from each other by the space that separates them. And sometimes we see him standing on the figure’s heads, superior to them like a king on a throne. The relationship between the crow and figures continues to stimulate my curiosity, and I still ask the continuous question about the reason of choosing that confusing relation.